CHRONOLOGICAL
Current
labyrinth cochlea tympanum (Auditory
Scene Analysis IV)
for yarn/wire
next
new work
(flute, percussion, piano)
for Erin Lesser and Ian Antonio
Previous
2023
ROOT AND VEIN (from interbeing)
for TAK Ensemble
SONGS: Ode to Man (from interbeing)
(reciter and four electronics performers)
for TAK Ensemble
CARTOUCHES: Action at a Distance; Empathy
(from interbeing)
for TAK Ensemble
Chimeric Form
(violin, horn, piano)
commissioned by Kylwyria
WEER, PFOSCH, GLEINS, STAMS, from Axamer
Folio
(saxophone and drumset)
for Ingrid Laubrock and Ian Antonio
EGGE, from Axamer Folio
(saxophone and drumset)
for Sascha Armbruster and João Pacheco
2022
Ageing Study (Fermented Sound)
(solo string instrument and documentation)
for Austin Wullimann
phrēn
(string quartet)
for the JACK Quartet
INSTRUMENTS (from interbeing)
for TAK Ensemble
Beings (I.X.)
(five brass and piano)
2021
BREAD (from interbeing)
for TAK Ensemble
A Drop of Water (László Krasznahorkai)
(solo prepared piano)
2020
Intermezzo
(prepared piano)
for Kris Davis
Field of Action
[Duos with Piano VII]
(voice+microphones, piano+synth)
for and with Charmaine Lee
2019
BIRGITZ, from Axamer Folio
(saxophone, drumset)
for Jonathan Hulting-Cohen and Dennis Sullivan
modules / relationships
(flute, saxophone, voice, violin, piano,
percussion, elec.)
for the Wet Ink Ensemble
if and only if
(violin, cello, prepared piano)
2018
Voided Cross (for Michael Heizer)
(saxophone, electric guitar, keyboards,
percussion)
Helix
(solo piano)
acoustic quanta
(solo piano)
2017
life–still
(clarinet, violin, viola, cello, percussion,
keyboard/piano)
ZIRL, from Axamer Folio
(saxophone, drumset)
radian
(solo trombone)
2016
gretchen am spinnrade
(cello, piano)
Auditory Scene Analysis II
(oboe, clarinet, bass clarinet, saxophone, bassoon)
contraposition
(trombone, prepared piano)
2015
being-time
(string quartet, electronic sound)
Axamer Folio
(saxophone, drumset)
2014
Points of Focus
(six percussionists)
doxa
(prepared vibraphone, prepared piano)
Auditory Scene Analysis
(18 players, narrator, electronic sound)
2013
Levitated Mass
(two electric guitars)
Psychomechanochronometer
(solo prepared piano)
2012
Tautology and Translation
(clarinet, cello, piano, percussion)
"the children of fire come looking for fire"
(violin, prepared piano)
2011
katachi
(flute, tenor sax/bass cl., voice, violin,
piano,
percussion, live electronics)
epoché
(alto flute, violin, piano)
Being-Time
(string orchestra)
2010
This is This is This is
(1 or 2 alto saxophones, prepared piano)
alphabeta
(piano four-hands, two percussionists)
early/student
"Ertrinken, versinken"
(violin, viola, cello, bass, piano)
beata viscera
(flute, clarinet, trumpet, violin, cello, piano,
percussion)
Shiverer
(flute, piano)
Viola Quartet ("IJVER")
(four violas)
Euphony
(solo tenor saxophone and 14 instruments)
Consolation
(solo piano)
By SERIES
Duos with Piano [2007- ]
I. Shiverer
(2007)
flute, piano
[7']
II. This is This is
This is (2009-10)
one or two alto saxophones, prepared piano
[21']
III. "the children of
fire come looking for fire" (2012)
violin, prepared piano
for Josh Modney
[25']
IV. doxa
(2012-14)
prepared vibraphone, prepared piano
for Ian Antonio
[16']
V. contraposition
(2015-16)
trombone and prepared piano
for Weston Olencki
[25']
VI. gretchen
am spinnrade (2016)
cello and piano
for Mariel Roberts
[17']
VII. Field of Action (2018-20)
voice/microphones, piano/synth
for and with Charmaine Lee
[28']
Auditory Scene Analysis [2014- ]
I. [2014]
18 instruments, narrator, and electronic sound
for Wet Ink Large Ensemble
(16')
II. [2016]
oboe, clarinet, bass clarinet, saxophone, bassoon
for Splinter Reeds
(10')
III. phren [2022]
string quartet
for JACK Quartet
(20")
IV. labyrinth cochlea tympanum [2023]
two keyboard players, two percussion
for yarn/wire
|
By INSTRUMENTATION
Piano
A Drop of Water (László Krasznahorkai)
[2019-21]
solo prepared piano
(13')
Helix [2018]
solo piano
(9')
*
Psychomechanochronometer
[2013]
solo prepared piano
(14')
Consolation
[2002-4]
solo piano
(20')
Other Solo
Ageing Study (Fermented Sound) [2022]
solo string instrument and documentation
(open duration)
radian [2017]
solo trombone
(11')
Duo/Trio
Chimeric Form [2023]
violin, horn, piano
(32')
Altarpiece H. af K. [2021]
three amplified bassoons
(25')
Field of
Action [2020]
[Duos with Piano VII]
for Charmaine Lee (voice/microphones) and
piano/synth
(28')
if and only if [2018-19]
violin, cello, piano
(60')
gretchen
am spinnrade [2016]
[Duos with Piano VI]
cello, piano
(17')
contraposition
[2015-16]
[Duos with Piano V]
trombone, prepared piano
(25')
Axamer Folio [2015]
saxophone, drumset
(7-25'); modular, variable duration
doxa [2012-14]
[Duos with Piano IV]
prepared vibraphone, prepared piano
(16')
Levitated Mass [2013]
two electric guitars
(4')
"the children of
fire come looking for fire" [2012]
[Duos with Piano III]
amplified violin, prepared piano
(25')
This is This is This
is [2010]
[Duos with Piano II]
1 or 2 alto saxophones, prepared piano
(20')
Shiverer
[2007]
[Duos with Piano I]
flute, piano
(7')
Chamber (4-8 players)
interbeing [2017- ]
(for instruments, bodies, text, images, food)
open-form music-theater with extractable chamber
pieces
(concert version generally 40-70'; each version
numbered and site-specific)
created in collaboration with TAK Ensemble
Versions to date:
interbeing (I) [V.21.2022] New York
interbeing (II) [X.7.2023] New York
interbeing (III) [X.21.2023] Santa Cruz
QUINTETS / Extractable Chamber Pieces:
ROOT AND VEIN (from interbeing)
[2023]
for flutes (c, picc),
clarinets (bcl, cl), voice (w/ vocoder and
tambourine), violin, percussion
(15-25'+)
INSTRUMENTS (from interbeing)
[2022]
for flutes (bs, c, picc),
clarinets (cbcl, bcl, cl), violin, voice, percussion
(+ amplification and auxiliary
objects/instruments)
(12')
BREAD (from interbeing)
[2021]
for alto flute, clarinet, violin,
soprano voice/objects, percussion
(10')
CARTOUCHES / "Sculptural" Pieces for
Performers:
|.........| ("Action at a
Distance") [2023]
for three or more performers
(open duration)
-||- ("Back
to Back") [2017, rev. 2022]
for four or five performers
(2-5')
|><| ("Empathy")
[2020]
for two performers
(~3-5')
.|. .|. ("Ellery and
Madison are Making Tea") [2020-21]
video piece for two performers
(4'33")
VIDEO Pieces:
life [2023 (v.1)]
process documentation
(3.5')
INSTANTIATED RELATIONS / Social Pieces:
"Every Partial of 12.2 Hz G-natural
and 15 Hz B-quarter flat
that lies between 180-405 Hz,
simultaneously"
crowdsourced audio collage /
fixed media
(1.5')
For Rirkrit Tiravanija
post- or pre-concert meal or
reception, prepared by the composer and performers
*
Beings (I.X.) [2021-22]
five brass and piano
(65')
modules / relationships [2019]
(flute, saxophone, voice, violin, piano, percussion,
elec.)
(12'-40')
Voided Cross
(for Michael Heizer) [2018]
(saxophone, electric guitar,
piano/accordion/synth, percussion)
(45')
life–still [2017]
clarinet, violin, viola, cello, percussion,
keyboard/piano
(21')
Auditory Scene
Analysis II [2016]
oboe, clarinet, bass clarinet, saxophone, bassoon
(11')
Points of Focus [2014]
six percussionists
(11')
Tautology and
Translation [2012]
clarinet, cello, piano, percussion
(17')
katachi [2010-12]
flute, tenor sax/bass cl., voice, violin, piano,
percussion, live electronics
(20')
alphabeta [2010]
piano four-hands and two percussion
(8')
"Ertrinken,
versinken" [2009]
violin, viola, cello, double bass, piano
(18')
beata viscera
[2008]
flute, clarinet, trumpet, violin, cello, piano,
percussion
(18')
String Quartet
phrēn [2022]
(20')
being-time [2013-17]
string quartet and electronic sound
(55')
Viola Quartet
("IJVER") [2006-7]
four violas
(15')
Large Ensemble / Orchestra (10 or more
players)
Auditory Scene Analysis
[2014]
18 players, narrator, and electronic sound
(17')
Being-Time [2011]
string orchestra and percussion
(27')
Euphony [2004-6]
solo tenor saxophone and 14 instruments
(15')
|